Doodles in Colour

colourful doodles

Here’s a collection of doodles I particularly love that came out of experimenting with new coloured pens. I’ve been making great use of the pens ever since!

I posted a tweet on my art twitter account that showed a part of this page some time ago. I tend to share doodles there more often, but I am sure to share complete doodle pages from my sketchbook here every now and again.

Walking out into the world, lost

This isn’t as depressing as I think I’ve made it seem by the title. It’s just my way of looking at life.

lost

It’s how I think everyone starts their story. Without knowledge, and barely themselves. So all our life we are struggling to be who we are. Hence the imagery of a cell, our basic biological unit.

I’m not the happiest with the pencil lines, but at the same time I like the way it feels unfinished, like a life. So it’s doing right by me.

 

more wooden doodles

soil story

 

Every once in a while, nothing beats black ink and musings about trees and nature and life. No matter how much I wish things would look “better” I know that each doodle is a step towards being “better” —

whatever “better” is–

and well, I’m starting to think that whatever feelings I have don’t matter. What matters sometimes is that I do it. You’ve heard me write that before; it bears repeating.

Scare

I love horror. Gory, funny, dark, demented, all of it really.

Behold Scare:

 

farm life

This drawing is meant to have undertones of the mystery and paranoia that come wrapped up in the “occult” or “horror” themes. The sinister feeling in your body, the uncertainty of knowing and not knowing, etc. all inspire me often when I doodle or draw.

The eye I doodle constantly makes an appearance as a major character this time. The floating eye and mixed messages coming from it hang authoritatively over the structure below; all existing in a cold white space. I used the structure and environment of a farm because it was a wholesome setting where our sustenance grows.

To me, no place is safe. I have to deal with that reality. Basically, I wanted to show somewhere vulnerable.