This isn’t as depressing as I think I’ve made it seem by the title. It’s just my way of looking at life.
It’s how I think everyone starts their story. Without knowledge, and barely themselves. So all our life we are struggling to be who we are. Hence the imagery of a cell, our basic biological unit.
I’m not the happiest with the pencil lines, but at the same time I like the way it feels unfinished, like a life. So it’s doing right by me.
Today’s drawing continues to explore some themes/imagery I find myself using again and again. This God bird you could say is a direct “friend” of another drawing from one of my previous posts; when I recently started to draw with pencils. This one ended up being a lot more playful, so playful in fact that I didn’t crop out the ripped end of the sheet. It seems to work with the God bird’s personality.
This drawing also uses some imagery from carpets, which I’ve used deliberately (and unconsciously) before. This was definitely deliberate. I imagined the little particles suspended around her. Doesn’t the God bird look like she is waddling over to you through a cloud of flourishes?
Have you ever tried to draw your mind?
When I “release emotion” through drawing, I’m actually releasing myself from the hold my thoughts and emotions have over me. The artwork ends up exposing what’s inside; it’s more about how I think than what.
To get an idea of my state of mind: I had been listening to a lot of true crime podcasts, including episodes regarding cults, when I drew this. Listening to the stories made me ask myself big questions about my place in the world, religion, protection, and responsibility.
It may not be visually stunning, but these types of drawings give me a different sort of pleasure and feeling of accomplishment. These “mind maps” remain the best way for me to explain what I am truly thinking.
Nature inspires, as usual! This work is obviously inspired by cacti, and also by something whimsical I thought of when I was little: that plants have entire little worlds hidden from us, inside of them.
Certain models of the brain show that the human mind most likely has two or more sources from which thoughts are created. For example, some of us study the left and right sides of the brain, or the zones of the brain that perform specific tasks (frontal cortex vs Broca’s area, for example). These aren’t perfect models but they get us closer to understanding how our bodies help us to think.
I think it is very telling and natural that there are many cultural explanations as well for where thoughts come from. A very important one is the light/dark or yin/yang allegory. These speak of a “dark” and a “light” side to all people, to keep it simple, and finding equilibrium within that context is something we all share as people. We just call it by different names.
A lot of what I draw attempts to reconcile different areas of my mind, to accept all aspects of the self. Here the shadowy hand is reaching out to eat from the bowl of another world made up here of cleaner lines. It’s just one example of a work that expresses my desire to explore the mind – another thing shared by all people.
The carpet bird is a new monster I created after remembering that I loved drawing birds as a child and teenager – even though I didn’t like actual birds very much (things are different now!).
Not being a fan of realism, I decided to decorate my abstract bird monster with a pattern that I remember from an old Persian-style rug we used to have. I can forget lots of things about my childhood, especially visual things, but I’ll remember a carpet we used to have when I was tiny.
I guess what I am trying to say is that this drawing is as much about a carpet as it is about a bird.
“The discerning and calculating gaze of another” is made obvious by its title. Need I say more? 🙂