Gentle friends, I introduce to you a new member of the monster family! I’d like you to meet Mr Fangs.
I started his creation with the blobby shape of his eyes and face, but I did not complete his rounded jaw. Somehow, it became apparent that I was going to give this brother some teeth. And so I did! I went right for the mouth and everything else grew from there.
This drawing was definitely less intuitive and more planned. Well, more planned in my own way, which means not too planned but with some moments of clear thought and decision-making as I drew.
Did I want him to be realistic? I decided that the answer to that was a strong no. Thoughtful anatomy, then, was thrown out of the window. But did I want him to make some sort of sense, physically? Yes, because I wanted him to be a character one could relate to. So while he has two legs to stand on, they are ridiculously pointy like the toes of HIMfrom the Powerpuff Girls. And so on, and so forth.
Something about Mr Fangs is that I knew he was a kind soul. His character certainly dictated what he would look like. Before I knew it, his eyes were soft and welcoming, his hair tentacles warm and curious. He has the big teeth and all, but is he trying to menace you right now? Absolutely not. He even put on his friendliest collar to impress you.
In the end, I’m very pleased with this fellow and how he ended up. He really is exactly the type of monster I felt like creating.
Lucky me! I’m currently visiting my home country of Mauritius. I drew this before arriving; not as a landscape that directly resembles features of the geography, but as an ode. As I’m sitting in the car on drives around the island, these are the impressions I get: green mountains, bodies of water, the curves of the landscape.
Now that I am here, I am too entranced by this place to draw! But my feelings of awe are side by side with sadness. We humans truly do not deserve this beautiful land. We never have. Since we arrived hundreds of years ago, we plundered the Dodo and many more of nature’s gifts. I fear that soon, these drawings and whatever is stored in our minds may be all that is left.
After looking at some scroll paintings of the Zen monk Sesshu Toyo, I was inspired by the black ink patterns in some of his work, especially his clouds. I doodled for a while, and ended up creating some weird snakes.
(Click on the image to see it all big n pretty ;))
I have always loved and found snakes beautiful, soulless as their eyes look. What an awesome mix of gorgeous and scary! I love drawing them, and I’m really happy with these.
My art is a victim of my tendency to rush. This artwork is an example of that. I am very happy with the composition and content, but I can see where taking my time would have made the gradient, lines, and shapes more of what I wanted them to be.
But honestly, I love this piece even with its imperfections. It was such an accomplishment once it felt finished. It’s a hopeful, loving, peaceful depiction of the universe. Between you and me, reader, I’m not the best at depicting the world as…positive. I see things I love about it, but I’m too nihilistic in general. This artwork reflects what good I do see.
I chose grayscale because I only wanted to use one coloured pencil and thought black–since it is sometimes explained as absorbing all colours*–was a good choice. I hope you think so too!
*I did my reading! Check out this link I found handy when I looked up, without shame, “is it true black absorbs all colours” 😉
Here’s a little sci-fi for you! I felt like I was channeling a part of me that’s always wanted to draw comics. I don’t have a specific story I’m trying to tell, which I love. It’s just a little cryptic snapshot I came up with when I put the pen to paper.
Anyone here into learning about cults? I know it isn’t just me. I listen to podcasts, watch TV shows/documentaries, and read about cults in my spare time. I’ve never been in a cult, but I’ve been in a cult-like situation* so I find my hobby to be very cathartic (as well as fascinating).
Robert Jay Lifton is a psychologist and renowned writer who wrote about thought reform. He came up with 8 criteria that describe how someone may manipulate someone’s mind and change the way someone thinks. Mystical manipulation is one of these. The term refers to the way someone (such as a cult leader) will claim that coincidences and other events were in fact examples of their power. If I were to draw a picture of you perfectly with my eyes closed, and then claim that it was my God-given power of true sight that made it possible (not my skill) – that’s a clear example of mystical manipulation.
Gets the mind racing, right? I hope you enjoy my marker drawing, which I think ended up looking like a poster. It was a way for me to channel my impressions of this particularly powerful concept.
*It wasn’t a cult, and I’m okay. I don’t want to take away from people who really have been affected by a cult.
I have started to do more drawings in marker. Markers give me the force I need: Thick, bold lines that dig into the paper. Limited colours that give me the opportunity to be creative in another way. The feeling that ink gives me of permanency and no turning back. It is the perfect medium for depicting the “religious eye” that many of us know and feel even when there’s no one there.